E-Book Revolution Upends a Publishing Course
By JULIE BOSMAN
Published: July 15, 2011
FOR decades, even after it was renamed and relocated from its original home at Radcliffe, the Columbia Publishing Course seemed unchanging, a genteel summer tradition in the book business, a white-glove six-week course in which ambitious college graduates were educated in the time-honored basics of book editing, sales, cover design and publicity. Not this summer.
With the e-book revolution upending the publishing business, Madeline McIntosh, the president of sales, operations and digital for Random House, stood at the lectern on the opening day in June, projecting a slide depicting the industry as a roller coaster, its occupants frozen in motion at the top of a steep loop.
"You might be wondering if this is the moment where we're at," Ms. McIntosh, a tall figure in a slim navy dress, said with a smile, as dozens of students with plastic name tags hanging around their necks watched raptly.
So the summer session began with a focus on "The Digital Future." Students were schooled in "Reinventing the Reading Experience: From Print to Digital" by Nicholas Callaway, the chairman of a company that produces book apps for children. Managers from Penguin Group USA explained how to master "e-marketing," and a panel of digital experts talked about short-form electronic publishing — not quite a magazine article, not quite a book — which is so new, the genre doesn't really have a name.
"You never know what's going to happen," Carolyn Pittis, the senior vice president of global author services at HarperCollins, told a packed room of students several days into the course. "So it's very exciting for those of us who spent many years when a lot of things didn't happen."
As the students scribbled in notebooks and clicked on laptops, Ms. Pittis recounted some of the biggest developments in the industry so far in 2011. The proliferation of e-readers and the growing digital market share of Barnes & Noble. Amanda Hocking, a formerly self-published author, making a book deal with a traditional publisher. J. K. Rowling's selling her own "Harry Potter" e-books online. Even the surprise success of "Go the — to Sleep," a hilariously vulgar children's book parody that rose to the top of best-seller lists after being widely pirated via e-mail for months.
In the past year, e-books have skyrocketed in popularity, especially in genre fiction like romance and thrillers. For some new releases, the first week has brought more sales of electronic copies than of print copies.
All of which were ripe topics for discussion for students in the course this year, even as they deciphered messages that could be simultaneously weary and optimistic.
"A lot of what we hear is, 'Is the Internet going to eat book publishing?' " said Selby McRae, a petite 22-year-old from Jackson, Miss., who entered the course after graduating from Hamilton College and completing an internship at the University Press of Mississippi. "And then they say, 'But everything's better than ever!' "
After appearing on a panel with other literary agents, Douglas Stewart of Sterling Lord Literistic said he had simply tried to explain the unfamiliar aspects of his job. "It is a really scary time to go into the business, and I'm sure they're hearing that," he said. "We're all thinking that as we look out at the sea of eager faces — I wonder if they should be doing this right now?"
Legions of high-placed publishing executives have been through the course, like Morgan Entrekin (Radcliffe Publishing Course '77), the publisher and president of Grove/Atlantic; Arthur Levine (R.P.C. '84), who has his own children's imprint at Scholastic; and Molly Stern (R.P.C. '94), the senior vice president and publisher of Crown Publishers and Broadway Books.
Aaven Jin
Computer Science Engineering
University of Michigan, Ann Arbor, MI
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